This is the third addition of the Lucid Thoughts section of the Lucid Communication website. Today I am going to introduce the photographer who we all affectionately call Brancolina. I have known Brancolina for about 4 years and she has been kind enough to share my images on her website, that I am thrilled to return the favor and spread her wonderful square images with the Lucid Communication viewers.
Brancolina is an amazing photographer based in Europe and is strongly influenced by the architecture that she comes across in the city. Her images always show the trace elements of humans beings. Meaning, that she is most interested in how humans construct their world around them. This idea is very similar to mine. In fact, I like to show the work that humans have created, especially when it comes to their private dwelling spaces. Brancolina’s interest in showing the spaces in often more public settings.
One thing that I really love about Brancolina is that she fully supports the artists that she enjoys. She curates exhibitions on her Red Square Gallery site, which, she was kind enough to include a selection from Lucid Communication on Geometric Wabi Sabi. In the Flickr world Brancolina strives hard to write thoughtful provoking comments. It is always a blessing to receive a comment from Brancolina, because I know the time and energy that it takes to truly absorb an image to be able to write something thoughtful.
She has just released a new book entitled Urban Stories available on blurb. It is a collection of images that show the city in its beautiful and sometimes changing cities. In the Brancolina’s lens the geometry comes alive. The square framings of the city include such lovely details, and allow the viewer to meditate on what the urban environment first of all means to Brancolina, and more importantly how the view then related to her images. I strongly recommend that you take the time to explore this book.
Urban Stories available on blurb.
I wanted to know a bit more about Brancolina; therefore, I decided to interview her to find out more about how she creates the images that she does, and why building a community of photographers is important for her.
JS – Where is your home?
B – I live in Antwerp, Belgium.
JS – What is it about geometry that attracts you?
B – I am educated as an architect, it is the essential part of my profession to invetigate forms and proportions in the process of designing architectural space. I love geometry and its principles, so I tend to express this affinity in all my creative projects.
JS – Your images (and mine) rarely feature humans, why is that?
B – From the aspect of urban photographer I am more interested in how humans are creating the city’s architecture and adding personal marks to urban environment than in people’s direct presence on the scene. With my photography I often explore architectural structures as boundaries that delineate and define the urban space, on desolate places significant fragments and proportions of urban elements that compose the scenery are better visually emphasized.
(author’s note: I find this idea intriguing. It isn’t necessary to show humans in a photograph to be able to show how they have a presence in images without them being there. I am fascinated by her exploration of the edges of public and private space. How do humans interact in these spaces without having to be shown.)
JS – Who are your influences?
B – When I joined Flickr in 2008 I met some photographers who inspired me to take a different approach to photography, getting to know the Rhizome group from Fernando Prats and Jef Safi, and Azurebumble’s Cream of fugu and contributing to Y SIN EMBARGO magazine’s issues especially encouraged my photographic activity.
In the last two years I was influenced by photography lessons that I took at Antwerp’s Academy of Fine Arts, but this year I decided to take a pause and independently continue with my photographic activity by following my own ideas and concepts.
(author’s note: Learning and studying how to do photography is an important step for any photographer to take, but eventually the artist needs to be able to create a pathway to artistic expression that is uniquely theirs. I am proud to see Brancolina starting to forge her own way.)
JS – What do you want viewers to know about your photography?
B – My main motivation to be busy with photography is the artistic need to express myself with images. I like to create photographic visions that intrigue and excite the observer with more than just the prettiness. I think an artistic photo should act like a visual catalyst for emotive, aesthetic or intellectual impressions that affect mind of the spectator.
JS – You give support and exposure to other artists. Why is that important to you?
B – I’m doing that as a sign of respect for some of my favorite photographers who expose on Flickr and because I enjoy curating. In Shadé group the chosen members were curating thematic exhibitions by selecting photos from the group’s pool, and then those photos were awarded by other members of the group with a goal to publish the best voted works in the annual photo book (edition 2009 and edition 2010). After 2 years of administrating the group and realization of photo books I decided to close it and try a different project.
Since March 2011 I have been administrating the Red Square Gallery, where I am organizing exhibitions of architectural and urban photography. Curated selections of 6-8 images accompanied with the artist’s short interview are presented about 3 times a month on the gallery’s blog, which is channeled via a ‘sister’ gallery on Flickr. I could have probably organized those exhibitions in the galleries on Flickr, but I decided to transfer them to the Wordpres platform, because I like how photos look there, and I hope that WordPress exposure could benefit artists to get extra exposure outside the Flickr domain. It is my goal to create an online directory of photographers by introducing a selection of their works with an interview that reflects their artistic point of view.
JS – What is your internet presence? Web sites, links etc?
B – For the time being I am mainly exposing on Flickr, my blog and Tumblr, my photo-books are available via Blurb publishers.. The website is currently under construction.
My photos have been published in the following internet locations:
Hypo – X – Series, A digital curation by Alan Wilson
Y SIN EMBARGO #16, Du-champ-issue
Y SIN EMBARGO #17, Mess-up mess-age issue
Y SIN EMBARGO #18, Inside-out issue
Y SIN EMBARGO #19, super#F issue
Y SIN EMBARGO #20, Extimacy issue
Y SIN EMBARGO #21, Ink or link issue
Y SIN EMBARGO #22, cap-it-all/off issue
Y SIN EMBARGO #24, In-betwen the net issue
Y SIN EMBARGO #25, Just a memory issue
Y SIN EMBARGO #26, Uroborus issue
Y SIN EMBARGO #28, you/END/me issue
Y SIN EMBARGO # 29, end/s issue
U.K’s The Building Mag
Photographer #8 photos + interview
on Azurebumble’s blog Aesthetic investigations: Brancolina: photography pr. 1, Brancolina: photography pt 2, Breaking the darkness, Blue room and Symmetrical spaces.
DOZE#5, Visionär issue
cameraobscura online photography magazine
JS – If there is anything else you would like to say?
B -Thank you very much for inviting me to introduce myself on the Lucid communications. Greetings to all who will be reading this.
I too would like to thank Brancolina for taking the time to answer my questions and help us to be able to better explore her photography. She has been an inspiration to me in a way to approach internet communication as a collaborative effort. I will always be thankful for the lucid communication that we have been able to create together.
Photography is my passion, I love everything about it. I am happy to share my explorations with a beautiful human being and photographer Brancolina.
I will present a small curation of her images below. I invite you all to explore her Flickr to see her world through her lens.
the images in this blog posting are copyrighted by Brancolina.
Just a taste of Brancolina’s world. The geometric shapes that inhabit and live on in the cities. The lines squares, circles all dance and sing in her photographic squares. Again, thanks again Brancolina for giving us the beauty that you see in the world.